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The solo recording project of Sterling DeWeese returns with a kaleidoscope of contagious hooks, psychedelic pop invention and artfully crafted songs, laid to tape and blasted into brilliant colour.
Electrisol finds Saggar at his most diverse and whimsical, drawing from psychedelic folk and kosmische electronics, dub wise production and shoe gaze textures, with luminous ambient melodies.
Drawing from folk traditions, ambient synthesis, ethereal guitar work, and deep listening practices, Meditations creates a world of textural depth and microscopic wonder.
A medical diary turned psychedelic séance where Jake Blanchard summons the shahi baaja from somewhere beneath the skin.
Imagine the Velvet Underground locked in a warehouse mainlining the kosmische pulse of some forgotten Krautrock commune while Bardo Pond’s ash-coated spirit hovers overhead.
For more than a decade, Nick Jonah Davis has established himself as one of Britain's most distinctive guitarists, creating music that feels both deeply rooted and quietly untethered.
Psychic Tension picks up where previous album Rewilding left off, carrying forward the momentum of massive riffs, juggernaut rhythms and squalling sonic overload.
There is something considerably more uncomfortable lurking beneath its surface and eight years after its original release ‘Sulfur’ is every bit as relevant as it was in 2018.
Shaped by a philosophy closer to musical collage than traditional rock orthodoxy, the band's music draws equally from folk traditions, improvisation, drone and repetition-based minimalism.
Chicago cosmic explorers Spiral Galaxy return with Spiral Galaxy II, an ecstatic, deep-space voyage of pulsating drift by flutist Sara Gossett and Plastic Crimewave on guitar/keys/machines.
Each release feels like another page torn from an endlessly expanding field journal documenting psychic weather, amplifier folklore and the invisible geography connecting psychedelic music across continents and generations.
The damage creeps, a forest becomes a mountain, and the faithful move forward. The album is named after Fugazi, in a manner, and "Reel 25" takes after the Shocklee Brothers, in a cry.
The Austin psych-drone monolith with the un-Googleable name and the wall-of-amplifiers ethos, doesn't just flirt with chaos - they drag it behind the van and mic up the gravel.
Artikel 1 - 13 von 13