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Forgeries (72–84) is a covers album that functions less as homage and more as possession. These are not replicas, but translations.
The 2nd Coming captures a pivotal moment—the exact crossroads where psychedelic rock evolved into the Southern jam sound that would soon change American music.
A psychedelic journey through ego, downfall, and rebirth. The album pulses with raw energy, recorded on tape to capture a visceral, imperfect warmth that harks back to late-’60s acid rock.
This split captures two distinct visions of heavy psych and doom-infused rock. Alunah presents their first recordings with vocalist Daisy Savage, blending new studio tracks with live recordings.
Angine de Poitrine create experimental rock built on complex rhythms and microtonal guitars, resulting in a distinctive sound that shifts between controlled chaos and hypnotic repetition.
Angine de Poitrine create experimental rock built on complex rhythms and microtonal guitars, resulting in a distinctive sound that shifts between controlled chaos and hypnotic repetition.
Blending psychedelic doom, desert rock, hard blues and hypnotic jam oriented passages, the album delivers a warm vintage sound inspired by the spirit of the 70s.
"Includes, but is not limited to High on Fire's molten sludge, Kyuss's Sky Valley grooves and the rhythmic backbone of Unsane" (Dean Brown, Terorrizer)
Their musical template of ambient psychedelic doom was established with the debut album "Medicine" in 2017, and their sound has continued to evolve ever since.
Belzebong return from the haze with The End Is High, a monolithic slab of instrumental doom steeped in thick green atmosphere.
The 'forest rock' moniker is the Swedes' tongue-in-cheek answer to the term 'desert rock', which stylistically provides a great starting point to describe their musical brand.
Bismut move further into expansive, experimental psychedelic territory, building their sound around flowing structures, layered instrumentation and a strong sense of collective interplay.
The third album by Argentina's finest, THE BLACK FURS. 8 tracks of Doomed Blues that will leave your speakers filthy.
The veteran trio from Baltimore, Maryland have fine-tuned the recipe of their musical rocket fuel, distilled from stoner doom, psychedelic rock, and other fiery ingredients.
There's garage rock swagger, wiry proto-punk tension and relentless rhythmic drive throughout, led by Brito's jagged, commanding vocals.
Menacing riffs provide the bedrock to beguiling melodies; dense walls of shoegaze guitars pair with lighter-than-air synths; and heavy subject matter is delivered by siren song vocals.
The flamboyant singer, songwriter, flautist and producer arrived without warning in late 2024 with ‘Fandabidozi’, one of that year’s most irresistible introductory statements.
The Ultimate Brown Acid Mixtape Is Here! 40 Minutes of Breaks and Beats, Mixed by Mr Dibbs.
The mighty Argentine progsters BUBU make a triumphant comeback with their 3rd and final album.
Finnish doomed heavy metal titans Cardinals Folly are back with their seventh album.
From an overgrown fortress, high above the cliffs of black, the spellcasters of Doom are back with “Carrie Chains” their seventh album.
From an overgrown fortress, high above the cliffs of black, the spellcasters of Doom are back with “Carrie Chains” their seventh album.
Cryptic lyrics about serial killers, set to a fantastic blend of dark blues and the 70's psychedelic retro rock vibe only found in Sweden. Graveyard meets The Black Crowes, heavy blues meets subtlety.
The album moves between hard rock, blues and a touch of psychedelia, carried by expressive vocals and a warm, organic sound.
From 'Dopesmoker' era Sleep, a grinding tone, a grinding pace and one 45 minute song.
Over 50 years later, this Cobraa album has achieved cult status among progressive rock and Krautrock fans.
'Beyond The Beyond' is the highly anticipated tenth studio album from inter-dimensional space travelling explorers The Cosmic Dead.
Crimson Coven have arrived with their triumphant first full-length, a stout, time-honored collection of true metal anthems in the spirit of early Candlemass, Manowar and Mercyful Fate.
Crimson Roots draw deeply from the blues to create expansive, evocative music in which progressive structures and psychedelic textures meet emotion and storytelling.
CRIPPLED BLACK PHOENIX was formed in 2004 by Justin Greaves as an ever-evolving musical project driven by emotional inquiry and moral tension.
Steeped in classic psychedelic guitar pop and the Paisley Underground scene, not to mention the broader 60s cultural aesthetic.
This 10th studio album is a 71-minute monolith: a stark rejection of trends, convention and pandering to one’s audience. Lyrically, it channels recent experiences of loss into a bleak set of songs.
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